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The Purge: Anarchy is a genuinely angry movie. ItвЂ™s okay to laugh along: DeMonaco wrote the 2005 remake of Assault on Precinct 13, and one can sense more than a little John Carpenter influence in the way he mixes satire and horror, old-school heroics with dystopian grime. By the time a society matron discusses the glories of a Mauser the way she might describe a fine wine (вЂњIt has a delicate trigger and smooth dischargeвЂќ), you may find yourself chuckling along at the grotesque insanity. An early scene shows a well-heeled family praying and then declaring, вЂњBlessed be America, a nation reborn,вЂќ before picking up their machetes to hack away at an old, sick, African-American man.

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The idea is still full of holes (though a couple of my earlier questions, such as what happens to banks on Purge Night, are sort of answered), but this time, DeMonaco turns his film into a perverse riff on class and power in America. It didnвЂ™t seem like it could bear much scrutiny. I had reservations about this concept being expanded and interrogated. It plays like itвЂ™s already a grindhouse classic - dark, dirty, and disreputable.

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The Purge: Anarchy is basically a slasher movie in which society is the deranged killer.

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There are murderous domestic disputes, trucks full of masked and drugged-out loons, revolutionaries, and one crazy lady on a bridge who yells that sheвЂ™s doing both the LordвЂ™s work and her patriotic duty: вЂњI am the right arm of the free world and the left hand of God!вЂќ she yells, brandishing her weapons.

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Together they make their way through a world in which every form of social dysfunction has been weaponized: Drunken louts look to rape and kill the women whoвЂ™ve ignored them the powerful select victims for their own private purges good old boys crack open beers as they perch behind their sniper rifles mercenaries harvest victims for others. The new story pulls in three different sets of individuals: a mysterious man (the great Frank Grillo) who has armed himself for what is clearly some sort of revenge killing, a bickering couple whose car has broken down (Zach Gilford and Kiele Sanchez), and a working-class mother and daughter (Carmen Ejogo and Zoe Soul) whoвЂ™ve been assaulted in their home. Turns out the Purge is about more than unleashing oneвЂ™s id itвЂ™s a proto-Malthusian wet dream, a way to control population and cull the ranks of the dispossessed.

The opening crawl informs us that ever since the New Founding Fathers instituted this tradition, вЂњfewer and fewer people live below the poverty line.вЂќ However, the ranks of the poor are declining not because theyвЂ™re moving up in the world, but because theyвЂ™re killing each other in the streets. Now he takes us out of the gated communities of the earlier film and into those streets, where the Purge is really supposed to be taking place. It was internecine bourgeois warfare, with only brief glimpses of the have-nots slaughtering each other in the streets.ДЄpparently, something stuck in writer-director James DeMonacoвЂ™s craw from that earlier movie, because he goes wonderfully ambitious and wild with The Purge: Anarchy. The futuristic idea behind the вЂњpurgeвЂќ itself - for one 12-hour period every year, all crime is legal, and cops and hospitals canвЂ™t help you - was mostly just setup: The real drama lay in watching what happened when one safe, secure, prosperous family dared to shelter a lowly refugee fleeing from others of their ilk. If youвЂ™ll recall, the original Purge took an enticingly twisted premise and fashioned a Twilight ZoneвЂ“inflected home-invasion thriller around it.